he 1970's and 1980's had been tough decades for Parker. There wasn't much buzz around high class fountain pens and for many years Parker relied heavily on the famed Parker 75 as their top selling item. Of course there were other pens offered during this period. The famed T1, a very collectible pen made in titanium, but this provßed too hard and expensive to manufacture and didn't really catch the public eye either. The Parker 180 with a new style, double sided pointed nib is also very collectible but this didn't bring home much bacon either. The Premier was very much an upscaled Parker 75 and of course the low end Vector, which eventually became one of Parkers long survivors.
n 1979, Kenneth Parker, the last son of the founder George, died. Kenneth had been a true inspiration for the company. He had been the one who persuaded his father to listen to Lewis Tebbel when he proposed the Duofold line in the 1920's. Kenneth was the driving force behind both the Vacumatic and the Parker 51, and he also helped design the Parker 75. Within six years of his death the Parker factory in Janesville was sold to |
its subsidairy in Newhaven, UK and by 1993 the company was in turn sold to Gillette who, in 2000, shut down the old Geo. S. Parker Arrow Park factory in Janesville, Wisconsin and had 300 workers laid off. Which in fact ended the Parker as an American pen brand.
s for ball pens and roller balls Parker relied heavily during the 1980's on the Jotter for the low end market and the Classic as a top end pen. By the 1990's Parker needed to revitalize the $10 to $100 gift market and commissioned Hollington Associates in London to design a completely new ball pen and pencil. The Insignia was introduced in 1991. The principle designer of the pen being Geoff Hollington (who went on to design the Sonnet in 1994 and award winning Parker 100, inspired by a jet engine, in 2004.) The new line was marketed as a precision-crafted, high-performance writing instrument based on an ergonomic design. As a top-line Parker it qualified to bear the Sterling Silver Cicelé pattern that Kenneth Parker once "borrowed" from a cigarette case in the early 1960's, made by a London silversmith, and used on the Parker 75. |